You are hereMedia
Hot time in the old town of Philly in July?: Washington, Alaska and Hawaii Blowout Wins Boost Sanders Nomination Odds
By Dave Lindorff
Stolen primary in Arizona?: Questioning Hillary’s Tuesday Primary Win Amid Widespread Evidence of Voter Suppression in Phoenix
By Dave Lindorff
It sure looks like there was some voter fraud committed in the Democratic primary in Arizona on Tuesday.
By John Grant
Since the coup, Honduras has become one of the most dangerous places in the world.
Why I won’t be voting for Hillary in November: A Neolib Posing as a Progressive vs. a Reality TV Star Posing as a Fascist
By Dave Lindorff
I won’t be voting for Hillary Clinton if she wins the Democratic Party nomination for president, and I won’t heed Bernie Sanders if, as he has vowed to do, he calls on his supporters to “come together” after the convention, should he lose, to support Clinton and prevent Donald Trump or another Republican from becoming president.
Sanders to keep campaigning: Decrying Clinton’s Wall Street and Oil Industry Bribes, Bernie Soldiers On
Profile in lack of courage: Sen. Warren has Betrayed the Cause the Put Her in the Senate and Once Made Her a Hero to Millions
By Dave Lindorff
Sen. Elizabeth Warren just had a chance to turn the tide in this rigged Democratic primary season last Tuesday, and she ran away from it.
DNC defection: Rep. Tulsi Gabbard’s Surprise Endorsement Gives Sanders a Chance to Change the Whole Primary Game
By Dave Lindorff
Just as the media, in the wake of Hillary Clinton’s landslide win in South Carolina’s Democratic primary Saturday, are predictably writing the obituary for Bernie Sanders’ upstart and uphill campaign for the Democratic Party’s presidential nomination, Rep. Tulsi Gabbard (D-Hawaii) has handed him an opportunity to jolt the American people awake.
I’m just sayin’... Who Cares About Democratic Primary Results in South Carolina -- a State Democrats Will Lose in November?
By Dave Lindorff
I'll be the first to admit I'm no pollster or even political scientist, but when I read that Bernie Sanders is going to be crushed by Hillary Clinton in Saturday's primary in South Carolina, the state that fired the opening shots in the Civil War and that only last year took down a Confederate battle flag in front of the capitol building, I have to shake my head at the absurdity of it.
By Linn Washington, Jr.
Hollywood honchos told a big lie 74-years ago.
That lie told in 1942 is a link in the sordid chain of perceptions and practices that have produced the present brouhaha surrounding the 2016 Oscar awards featuring an all-white bevy of acting category nominations.
Whatever its motive, Apple’s on the right side...so far: Apple Champions Privacy; Government Seeks to Trash It
By Alfredo Lopez
Truth can be stranger than fiction...or at least more surprising. Apple Computer is the current champion of privacy against U.S. government attempts to expand its spying on us. The company, a frequent NSA and FBI collaborator in the past, finds itself in the strange position of confronting a federal court order to dislodge its iPhone security system, an action Apple insists will cripple encryption as a privacy-protection measure.
Striking out at the NY Times: Hit Piece on Sanders Proposals Relies on Pro-Clinton Economists Mislabeled as ‘Leftists’
By Dave Lindorff
As Bernie Sanders’ insurgent campaign for the Democratic Party’s presidential nomination continues to strengthen, so do the attacks on him by the establishment corporate media, which are reflexively backing the status quo corporatocracy.
Your new movie, Where to Invade Next, is very powerful, your best so far for certain.
We need you.
You've packed a great many issues into this film, with visuals, with personalities, with entertainment. If people will watch this, they'll learn what many of us have struggled to tell them and more, as there was plenty that I learned as well.
I must assume that when U.S. audiences watch scenes that dramatically clash with their world yet seem humane and reasonable they'll be brought to the point of thinking.
You show us political candidates, not screeching for more prisons, but holding a televised election debate in a prison in an effort to win the votes of the prisoners, who are permitted to vote. What are we to make of that? You also show us scenes from U.S. prisons of grotesque brutality. Then you show us the effective rehabilitation achieved by Norwegian prisons (25% of U.S. recidivism rate). That doesn't just clash with what's familiar in the United States, but it also clashes with what the United States teaches about "human nature," namely that criminals cannot be rehabilitated. And you expose the driving force of vengeance that lies behind that pseudo-belief by showing the collective response of forgiveness and sanity with which Norway responded to a major terrorist incident. We all know how the U.S. has responded to those.
If we've read Steven Hills' book Europe's Promise or others like it, or lived in Europe and visited Europe or other parts of the world, we have some notion of much of what you show us: Italians and others with many weeks of paid vacation and parental leave plus 2-hour lunch breaks, Germans with paid weeks at a spa if they feel stress, Finland with soaring educational achievement reached by shunning standardized tests and homework while shrinking the school day, France with nutritious gourmet school lunches, Slovenia and dozens of other countries with free college, workers making up 50% of corporate boards in Germany, Portugal legalizing drugs (best line of the movie: "So does Facebook."). By bringing all of this together in a concise and intelligent and entertaining way, you've done us all a favor.
I was worried, I will confess. I apologize. I've been watching Bernie Sanders propose these sorts of changes without a real vision behind them and without daring to mention that the money is all being dumped into the U.S. military. And I've watched you, Michael, make some oddly supportive comments about Hillary Clinton who has spent decades working against everything this movie is about. So, I was worried, but I was wrong. Not only were you willing to point out that the United States pays nearly as much as these other countries in taxes, and much more when adding in the additional things paid for outside of taxes (college, healthcare, etc.), but you also included the elephant in the room, the 59% (in the figure you used) of U.S. income tax that goes to militarism. This movie, because you included that fundamental difference between the United States and other nations, is a terrific boost for the cause of ending war. That you point out the contrast between what Germans know and feel about the holocaust and what U.S. Americans know and feel about past U.S. wars, genocides, and slavery only adds to the value.
You included in a single 2-hour movie, in a clear and unrushed manner, not only all of the above, but also explanation of the popular resistance needed to create it, plus a critique of the racist U.S. drug war, mass incarceration, prison labor, and the death penalty. You showed us Muslim leaders in a largely Muslim nation more advanced on women's rights than is the United States. You showed us the openness of numerous nations to women sharing in power. I do, by the way, recognize the good intentions that may lie behind your interest in electing a female president, but I ask you if Margaret Thatcher advanced or impeded the cause. Does electing women create humane societies, or is it at least as much the case that humane societies elect women?
The other story you bring us from Iceland, in addition to women in power, is bankers prosecuted for their crimes. Odd, isn't it? Americans thirst for such revenge that they imprison small-time criminals for decades and brutalize them, but big-time criminals are rewarded. A shift to a more civilized system of justice would reduce the nastiness in one case but impose penalties that have been lacking in the other.
You allowed some powerful voices to speak in this movie. One of them suggested that Americans try taking an interest in the rest of the world. I've noticed, living abroad, that not only do other people want to know about the United States (and everywhere else), but they also want to know what Americans think of them. And I always have to reply with shame that Americans don't, in fact, think anything of them at all. Not only should we start to be curious about others, but we should start to be curious about what others think of us.
P.S. -- I'm old enough to remember your film about Bush's Iraq lies, Michael. The leading Republican presidential candidate now says Bush lied. The trailing Democratic candidate doesn't, and told the same lies at the time herself. You helped make U.S. culture, not yet good enough to end homelessness, but good enough to get that question right. Thank you.
by Bryan Doerries
A Book Review by Hugh O’Neill
“The Play’s the thing in which to catch the conscience of the king”- Hamlet, Act II, scene ii.
Theatre has long engaged our innermost concerns and is a way of exploring the darkest realms of our Humanity. Bryan Doerries, interviewed recently on Radio NZ (www.radionz.co.nz/national/programmes/ninetonoon/20151209) was described thus:
“Brooklyn-based theatre director, Bryan Doerries, is the founder of the 'Theatre of War' project, and the 'Outside the Wire' company which presents ancient Greek plays to returned soldiers, addicts, prison communities, and victims of natural disasters. He argues that the great tragedies of the Greeks can help a contemporary audience grapple with everything from the trauma of being in a conflict zone to end-of-life care. To date, over 60,000 service members, veterans, and their families have attended and participated in Theatre of War performances worldwide. Bryan Doerries’ book, is 'The Theatre of War”.
In his book, Doerries’ relates how his own suffering and loss found resonance in 5th century BC Greek tragedies. He contends that Human reaction to trauma is indeed timeless: the horrors of war, violence, pestilence and disaster still affect us now as they did 2,500 years ago. His special insight – from a deep reading of Aristotle’s Poetics - is that tragic plays were written for a specific purpose which was to create catharsis or healing by revisiting these most painful private experiences and understand that one’s reaction is not unique, but is a normal (indeed healthy) Human response to inhuman suffering. The audiences of the time would have consisted mainly of veterans since the Peloponnesian Wars lasted some 80 years.
Doerries was not the first to note the parallels between certain characters in the Classical oeuvre and soldiers suffering what - post-Vietnam War - is labeled “PTSD” (hitherto known since WWI as “shell shock”): Dr. Jonathan Shay wrote “Achilles in Vietnam” on the parallels between veterans of both Vietnam and the Homeric epics. Shay has also noted Shakespeare’s accurate observations of PTSD by Lady Percy (Henry IV, Act II, scene ii). Thus Shakespeare has an intrinsic understanding of the effects of war on the mind, and how nightmares continued the disturbance long after the events occurred.
Labeling the condition a disorder – as Doerries and Shay seem to suggest – is wrong, since it adds further blame upon its victims and somehow makes them the problem, rather than the experience which caused it. Shay prefers the term ‘moral injury’ a condition most apparent when the individual’s moral compass is suppressed by authority (as in the infamous Milgram Experiment). Few of us can measure up to the presumptive verdict of Nuremburg i.e. it is no defence to say one was only following orders. Such few are pilloried as traitors and cowards and suffer the most extreme forms of persecution (Archibald Baxter’s Field Punishment No.1)
There is patently a serious problem for American society with some reports attesting that suicides post-Vietnam are almost double the 58,000 ‘killed in action’ (a.k.a. KIA). One figure cited for the current conflicts in the Middle East suggest a rate of 22 suicides each day. The problem is perhaps compounded by the success of battlefield medical care i.e. more survive horrific injuries which hitherto would have proved fatal. Furthermore, the true savagery of war is a political inconvenience, to be concealed from the general public: the real tragedy happens offstage. Men and women suffer physical and mental torment whilst society looks the other way. There are no winners in war - except the bankers and arms manufacturers.
Doerries has a scholarly, non-military background – despite the numerous bases which surrounded his home in Virginia. He was moved to ‘do something’ after reading of the plight of veterans in the rat-infested Walter Reed hospital. His efforts were galvanized by an article in the NY Times (Jan 13th 2008) by Sontag & Alvarez quoting Captain P. Nash describing PTSD in the Sophocles’ play about the Homeric Ajax. Depressed after the Trojan War, Ajax unwittingly slaughtered a herd of animals and then had fallen on his own sword. Doerries contacted Nash and eventually the scene was set for the first theatrical event: 4 actors reading aloud extracts from Sophocles’ works on Ajax and Philoctetes both of which plays addressed powerful feelings of injustice and abandonment (N.B. Sophocles was also a military general). The sparse acting focused more emphasis on words and emotions. One hour of theatre was followed by several hours of very democratic audience discussion led by Doerries: the play had provoked deep feelings and gave license to air private concerns in a public forum - not all of which made for comfortable listening - especially to those in command.
However, word spread and the “Theatre of War” performed for diverse audiences using a play specific to that audience. For the prison staff at Guantanamo, a performance based on Aeschylus’ “Prometheus Bound” evoked the unexpected response that some identified with the tortured character of Prometheus whilst others saw themselves in his reluctant jailer Hephaestus, or his enthusiastic jailers Kratos (Power) and Bia (Force). The audience discussion was uninhibited despite the presence of a 4 star general; Doerries’ final question on the justice of Prometheus’ fate provoked one very senior lawyer to catharsis by his bitter denouncement of the US having lost all moral authority by refusing their prisoners a fair trial. It was this moral conflict given utterance which explained why so many identified with the fate of Prometheus, ‘chained to a rock at the end of the Earth’.
It is laudable that Doerries strives to re-Humanise those de-Humanised by war, military service, penal institutions etc. The masters of war and genocide must first dehumanize the perceived enemy, and then de-humanize their own people to fear, hate and kill the ‘enemy’. We saw this in Nazi Germany, Rwanda, and in the increasing belligerence of the US Military Industrial Complex - as warned by President Eisenhower in his valedictory of 17th January 1961. The Peloponnesian wars were fought for existential reasons whereas US wars are fought for profit - irrespective of the consequences. The un-asked question in this story: who will provide catharsis for the countless millions of victims of war - the dead, maimed, orphaned and homeless? It may be unfair to expect this question from Doerries, but it must be asked nonetheless. Doerries has begun to speak truth to power which ability was the essence of Democracy –in the Greek sense of the word (Demos Kratos = people–power). Democracy flowered in Athens when a small hierarchical society, under existential threat, had masters and slaves literally pulling on the same oars. Today, the whole of Creation faces existential threat from Climate Change. “In the final analysis, we all live on the same small planet. We breathe the same air. We cherish our children’s future. And we are all mortal.” (JFK 10/6/63)
By Gar Smith
Some people (OK, some older, white Republican men) have been complaining that Beyonce "injected politics into a sports event." (Actually the message seemed to be less about politics and more about social repression, government indifference and in-your-face racial pride. Consider the lyrics: "I like my baby hair, with baby hair and Afros. I like my negro nose with Jackson Five nostrils.")
On Monday's Fox & Friends, former New York City Mayor Rudolph Giuliani criticized Beyonce's black activism as inappropriate for a halftime show because, as the former mayor explained, half-time shows are a time when performers are supposed to be "talking to Middle America." (Read: "White.") The former mayor confessed that he would have preferred "decent wholesome entertainment."
"I thought it was really outrageous that she used [the half-time show] as a platform to attack police officers who are the people who protect her and protect us, and keep us alive," said Giuliani.
Of course, neither the song's lyrics nor the singer's energetic twerking addressed the specific and abiding problem of police brutality and killings.
And yet, amidst all the hoopla about Beyonce's performance, I haven't heard anyone complaining about Lady Gaga's powerhouse rendition of the Star Spangled Banner. The lyrics of this tune clearly constitute a major example of injecting "politics into a sporting event" – in this case a full-out celebration of war. (The US is the only country on Earth with a national anthem that contains the words "rockets" and "bombs.")
To underscore the political message of this Half-Time kick-off event, Gaga's stint began with a close-up of a line of soldiers holding wall of military flags as the announcer intoned: "And now, to honor America – and perform our national anthem – please welcome … Lady Gaga." (Note: Placing "honor" before "performance" was a way of signaling that the musical event was intended as a stand-in for a collective "pledge of allegiance.")
Lady Gaga went on to perform the song in front of a massive American flag that covered more than 30 yards of the midfield and required at least 56 people to hold it in place.
From the start of the video clip to Gaga's last note consumes about 2:48 minutes. Nearly one-quarter of the clip was saturated with pro-military imagery, including: military standard bearers, a close-up of a saluting marine, a live scene of US troops standing at attention and saluting inside a building in some unnamed foreign country currently occupied by US troops, a close-up of a military drum pounding as Gaga reached her crescendo and, finally, a smoke-trailing fly-over by a half-dozen F/A-18 fighter jets in Blue Angel formation.
At this point, the announcer could have offered a the following public service message: "The US Department of Health and Human Services has asked us to advise you that the Blue Angels jets are powered by JP-5 propellant, a refined kerosene product that contains known carcinogens that can damage the kidney, liver and immune system."
The announcer might also have informed the crowd that: "Each Blue Angels jet burns 1,200 gallons of jet fuel per hour. At a cost of $10.32 per gallon, flying a team of six jets for an hour of preparation and a few brief seconds of intense fly-over entertainment costs taxpayers more than $74,300."
Instead, the announcer offered the following (arguably politicized) salutation:
"Thanks to those sailors and marines and our troops serving around the globe."
So if spectators watching from inside the Bowl—or at home over a bowl of nachos—thought Beyonce's brigades of beret-wearing, clenched-fist-and-booty shaking backup dancers were too "political," let's just agree to call it "equal time."
There were two teams vying for the crowd's loyalty on the midfield on Sunday. On one side, the entire military-industrial-sports-
Postscript:At the time of this writing, the Formation video was not publically available. Here is a link to the video. Discuss.
Postscrpt #2: I've tracked down what appears to be the lyrics to Beyonce's Superbowl anthem—and there is little here that can be described as "political." There also is very little about racial pride. The lyrics are mostly boastful, arrogant and vulgar. When, for example, Beyonce sings "I go hard, Get what's mine, take what's mine, I'm a star, I'm a star, Cause I slay," it sounds like she's channeling Trump, Kissinger ,or the Koch Brothers.
Postscrpt #2: I've tracked down what appears to be the lyrics to Beyonce's Superbowl anthem—and there is little here that can be described as "political." There also is very little about racial pride. The lyrics are mostly boastful, arrogant and vulgar.
When, for example, Beyonce sings "I go hard, Get what's mine, take what's mine, I'm a star, I'm a star, Cause I slay," it sounds like she's channeling Trump, Kissinger ,or the Koch Brothers.
By Alfredo Lopez
Bernie Sanders' stunning success in the campaign for the Democratic Presidential nomination, highlighted by what is effectively a victory in the Iowa caucuses this past Monday, provokes serious thinking about what a Sanders presidency would look like.
By Andrew Moss
In 1946, George Orwell decried the abuse of language in his classic essay, “Politics and the English Language,” declaring famously that “it [language] becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts.” Orwell reserved his sharpest criticism for corrupted political language, which he called the “defense of the indefensible,” and in the years that followed, others writers took up similar critiques of political discourse, adjusting their focus according to the circumstances of the time.
One particular critique has focused on the language of nuclear weapons, and I argue that this language should be of particular concern to us today. Called “Nukespeak” by its critics, it is a highly militarized discourse that obscures the moral consequences of our policies and actions. It is a language used by military officials, political leaders, and policy experts – as well as by journalists and citizens. The language creeps into our public discussions like an invasive species, casting shadows on the way we think about our collective present and future.
For example, in a recent New York Times article, “Smaller Bombs Adding Fuel to Nuclear Fear” two Times reporters, William J. Broad and David E. Sanger, describe the ongoing debate within the Obama administration regarding the so-called modernization of our nuclear arsenal, a transformation that would result in atomic bombs with greater accuracy and a capacity for their operators to increase or decrease the explosive capability of any single bomb. Proponents argue that modernizing the weapons will reduce the likelihood of their use by increasing their deterrence to would-be aggressors while critics claim that upgrading the bombs will make their use even more tempting to military commanders. The critics also cite the costs of the modernization program – up to $1 trillion if all the related elements are taken into account.
Throughout the article, Broad and Sanger frame these issues in the language of Nukespeak. In the following sentence, for example, they include two euphemisms: “And its yield, the bomb’s explosive force, can be dialed up or down depending on the target, to minimize collateral damage.” The euphemisms, “yield” and “collateral damage,” erase the human presence – a voice, a face – from the equation of death. Though the authors do define the term “yield” as “explosive force,” the word’s presence in the text still unnerves with its contrast between benign meanings, i.e. a harvest or monetary profit, and the demonic sense of a lethal reaping. And the phrase “collateral damage” has long been recognized for its sheer mendacity, its omission of the unspeakable from any consideration.
The sentence also contains another feature of Nukespeak: an amoral fascination with deadly gadgetry. It is one thing for a person to dial down the thermostat of her home; it is another to “dial down” a payload of death. When I taught an undergraduate course on the literature of war and peace, my students and I studied in one of our units the literature of Hiroshima and Nagasaki. We read President Truman’s announcement of the dropping of the first atomic bomb, exploring how Truman discussed the genesis of the new weapon and the scientific collaboration that went into making it “the greatest achievement of organized science in history.” At the same time, we read stories by Japanese writers who managed to survive the inferno and still continue to write. One such writer, Yoko Ota, has the narrator of her short story, “Fireflies,” return to Hiroshima seven years after the bomb and encounter a number of fellow survivors, including a young girl, Mitsuko, who had been horribly disfigured by the atomic explosion. Despite the disfigurement that makes her presence in public emotionally painful, Mitsuko displays an extraordinary resilience and a “desire to grow up faster and help people who’re having a hard time.”
The psychiatrist and author Robert Jay Lifton has written that even within the nuclear shadow, we can find redemptive possibilities in the traditional “wisdom of the seer: the poet, painter, or peasant revolutionary, who, when the current world view failed, turned the kaleidoscope of his or her imagination until familiar things took on a wholly different pattern.” Lifton wrote those words in 1984, and since then the need for cooperation on a planetary scale has grown ever more urgent. Today, as before, it is the artist and seer who can recognize the human presence hidden behind the lying façade of Nukespeak. It is the artist and seer who can find the words to say: there is madness in this so-called rationality – and that, indeed, we have the capacity to find another way.
Andrew Moss, syndicated by PeaceVoice, is an emeritus professor at the California State Polytechnic University, Pomona, where he taught a course, “War and Peace in Literature,” for 10 years.
The Oregon tragi-comedy has left one dead, one injured, six arrested, some guys in Michigan trying to fix a water system with their guns, and millions of Americans deprived of intelligent television content for weeks.
I know that people outside the Occupy movement, in particular those employed by CNN, had a hard time telling what we wanted, but I myself have had a hard time telling what the Nevadans and others in Oregon wanted.
They demanded justice on behalf of people who said they'd never wanted the help. They demanded a small government willing to do them big favors. They wanted a fight to the death but didn't want to hurt anyone.
Really, the clearest answer was that they wanted to save the Constitution.
But how? Which bit? From whom? When we in Occupy demanded taxation of billionaires and cuts to the military, the CNN employees grabbed their heads and moaned in pain, insisting that we must settle on One Single Demand or their brains would explode.
Well, the Constitution has seven articles and twenty-seven amendments. That's way too many for an effective peaceful gun battle.
And the Constitution creates a big, distant, tax-raising government. Why wouldn't these guys get into shoot-outs for the Articles of Confederation? Weren't those more to their taste and only slightly more ancient and irrelevant than the Constitution?
No, they insisted that it was always the Constitution for which they were suffering along on donated snacks and anger. But which part? Surely not the First Amendment and its silly right to peaceably assemble.
The Second Amendment? But if you've been permitted to own piles of guns, can you really propose to get into a fight with those guns over your demand to be allowed to have those guns -- much less to have them for a well-regulated militia? Well-regulated militias remember to bring snacks.
The Third Amendment? No. It's a bit too awkward to take over buildings without the consent of the owner in order to Youtube to the death for the right never to have fighters move into anywhere without the consent of the owner.
And they didn't name any of these amendments. They named the Constitution.
Why? Here's an ancient and anti-democratic document produced by an elitist federal government that had redirected popular anger toward a foreign country. It condoned slavery and facilitated genocide and conquest through expansion to the west. As a contemporary document in 2016 it's an embarrassing vestige from a long-gone epoch. It provides no environmental protections, and no human protections -- no rights to any basic necessities of life.
But maybe that's part of the attraction. The Constitution may have been a step toward bigger government, but it was created in an age of much smaller government, of great resistance to any standing army, of no income taxes, of no draft, of no department of education, of no social safety net even on the miserable level of the 21st century United States.
The Constitution created a rather unrepresentative legislature, with a weak executive. It's been made almost completely unrepresentative, while its executive has been made virtually a king, and its Supreme Court has been given the power to rewrite the Constitution as it sees fit.
The U.S. government and the U.S. nation bear little similarity to the U.S. Constitution or the land in which it was written. And the U.S. government of today is Kafkan in its frustrating coldness, incompetence, and almost complete corruption. Isn't that what it comes down to? The government taxes you, gives you almost nothing in return, and then spends all your money teaching you by example that the way to solve problems is to act tough, take a stand, move into a new territory and declare "mission accomplished" -- no need to really have a thought-out plan, just have lots and lots of weaponry and everything will be fine. The locals will welcome you as liberators.
Maybe the late militia should have called itself the Unknown Unknowns.
By Linn Washington, Jr.
London -- In a rational world where the rules of arithmetic apply it just doesn’t add up to declare that 40,000 is mathematically more significant than 500,000.
Clinton now red-baiting Sanders: Desperation in Hillary Camp as Bernie Gains in Iowa and New Hampshire
By Dave Lindorff
Someone should have warned Hillary Clinton and the goon squad at the Democratic National Committee that old-fashioned red-baiting isn't going to cut it in today's United States. It's not the 1950s anymore and the Soviet Union and Comintern are ancient history.
Cross-Posted from DeSmogBlog
A PowerPoint presentation obtained from a source and published by DeSmog in August 2013 has made its way into a major hydraulic fracturing ("fracking") related legal case, which is set to go to trial soon in the U.S. District Court for the Middle District of Pennsylvania.
Cross-Posted from DeSmogBlog
The just-published book "Dark Money," penned by New Yorker staff reporter Jane Mayer, reveals that the Koch Brothers hired the former commissioner of the New York Police Department (NYPD) — and his daughter, a former FBI agent — to smear her as a "plagiarist" in the months after the release of her August 2010 bombshell article on the Kochs.
Rethinking Bernie Sanders: Attacking Wall Street and the Corrupt US Political System Makes Sanders a Genuine Revolutionary
By Dave Lindorff
I admit I’ve been slow to warm up to the idea of supporting Bernie Sanders. Maybe it’s because I publicly backed Barack Obama in 2008 and quickly came to rue that decision after he took office.
Sanders campaign offers a historic opportunity: We Need a Mass Movement Demanding Real Social Security and Medicare for All
By Dave Lindorff
The rising fortunes of presidential candidate Bernie Sanders, the self-described democratic socialist US senator from Vermont, in the Democratic presidential primaries, provides a unique opportunity for organizing a new radical movement around key political goals including a national health care program for all Americans, not just the elderly and disabled, and a national retirement program that people can actually live on.
By Alfredo Lopez
Last week, T-Mobile's CEO John Lagere pubicly asked the Electronic Frontier Foundation a straightforward question: "Who the f*** are you anyway, EFF? Why are you stirring up so much trouble and who pays you?"
Yellen has to raise rates: What’s Behind the Fed’s Decision to Raise Interest Rates in a Struggling Economy?
By Dave Lindorff
Much has been written over the past few weeks in the financial press and the business pages of general interest newspapers debating the wisdom of the decision in December by Janet Yellen and the Federal Reserve Board to raise interest rates for the first time in almost a decade.
Cross-Posted from DeSmogBlog
A document published by the Public Relations Society of America, discovered by DeSmog, reveals that from the onset of its public relations campaign, the oil industry courted mainstream media reporters to help it sell the idea of lifting the ban on crude oil exports to the American public and policymakers.
By Alfredo Lopez
When I was very young, my parents used to tell me why having "lots of toys" wasn't a good idea. "The more you have, the more you want," they would say. I didn't have many toys -- we were poor -- so the idea of possessions feeding greed didn't make much sense to me then.
By Dave Lindorff