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Tomgram: Frida Berrigan, 64 Years Too Late and Not a Moment Too Soon
As another August 6th approaches, let me tell you a little story about Hiroshima and me:
As a young man, I was probably not completely atypical in having the Bomb (the 1950s was a great time for capitalizing what was important) on my brain, and not just while I was ducking under my school desk as sirens howled their nuclear warnings outside....I was invited by Japanese publishers to visit their country....The trip to the Hiroshima Peace Memorial Museum with its caramelized children's lunchbox and permanently imprinted human shadows was, to say the least, unspeakably horrifying. In fact, it left me literally speechless, so much so that, although I returned to New York babbling about Japan, I found, for a long time, I couldn't talk about what I had seen in Hiroshima.
For the Sixty-Fourth Time: No More Nuclear War
Reflections on Hiroshima and Nagasaki in Our World
By Frida Berrigan
I can't help myself. I still think it's worth bringing up, even for the 64th time. I'm talking, of course, about the atomic obliteration, at the end of a terrible, world-rending war, of two Japanese cities, Hiroshima and Nagasaki, on August 6 and 9, 1945, whose anniversaries -- if that's even the appropriate word for it -- are once again upon us.
In this, at least, I know I'm not a typical American: Hiroshima and Nagasaki still seem all too real to me. As the child of anti-nuclear activists, I was raised to pay attention to two significant dates in American history -- the day when the Enola Gay, a B-29 Superfortress bomber named after the pilot's mother, dropped Little Boy, a five-ton uranium explosion bomb, on Hiroshima; and the moment, three days later, when another plane, jokingly named Bock's Car (after the plane's original pilot), dropped Fat Man (a moniker supposedly given it in honor of former British Prime Minister Winston Churchill), a more complex plutonium implosion bomb, on Nagasaki. Read more.